Disasters & Development

Over the past week, I have enjoyed cement based triumphs and gravity related hiccups on a growing scale. From dropping my new black concrete bowls x 2, through to snapping casts due to not letting things dry correctly. So this week sees the introduction of drying racks and a proper system for drying, casting, costing and general production (it’s for the best!)

For the purpose of marketing and a few gifts for friends, we’ve bought some silicone alphabet moulds and had some real fun making letters but had great frustration put on us by the gods of the letters U, C, G and Q which have inherent weaknesses within their natural design, hence they crack… GRRRRRRRR!

And finally, we’ve pulled 3 rather nice round bowls (2 medium and 1 large) and spent ages gilding the inside of the aforementioned which are looking sublime and give of the most warming glow you’ll ever see!

We’ve found new materials for casting in the form of interesting types of aggregates & cement, touched upon using oxides for colouring and drying agents for a more productive studio. We’ve bought dust masks and overalls as well as rapidly learning the hard way not to wear your new spectacles while casting or walk straight back into the house when you’ve finished (clue: footprints) But most of all it’s been a bloody good week!…

Wabi Sabi: The acceptance of imperfection

More often than not people strive for perfection, while myself I try to enjoy imperfection in its many forms. When working with concrete and its unpredictable nature and the sometimes damaged moulds this is more present than you’d think, from dented bottle moulds to contaminants etc.

Disasterkast products replicate their previous lifeform which is more often than not a piece of found recyclable packaging.

In traditional Japanese aesthetics, Wabi-sabi (侘寂) is a worldview centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete”.

According to Leonard Korenwabi-sabi can be defined as “the most conspicuous and characteristic feature of traditional Japanese beauty and it occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West. Whereas Andrew Juniper notes that “[i]f an object or expression can bring about, within us, a sense of serene melancholy and a spiritual longing, then that object could be said to be wabi-sabi. For Richard Powell, “[w]abi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect.” (source: wikipedia)

When moulding Disasterkast products, the mould can only be used once before cut off and re-recycled, making each piece one-of-a-kind!