Happy Accidents

I use a fair few spray cans in my painting based artwork (see: www.iambobzilla.co.uk), so while experimental concrete casting in my formative cement-based early days I used an empty aerosol can as an inner for the mould, not realising you’d need to use a fair bit of release aid (Petroleum Jelly, cooking spray etc) the result was an odd looking sculptural piece which I quite liked, I’ve even sold a few… Not sure what they would be used for even though they do look quite arty, maybe a paperweight, ornament, graffiti deterrent (due to weight), weapon or boat anchor.

These will be for sale soon as a Limited edition cast in the forthcoming store (keep an eye on the top menu).

Impatience is NOT a virtue

With concrete casting, it’s a constant developmental learning curve… This week I’m learning to stay well away from the concrete until it’s totally dry and develop a sense of patience or this happens (see image) and guess what it’s ultra infuriating but inevitably my fault.

In regards to moulds (molds if you’re from the US) I’m researching what would be the best release agent that doesn’t leave a residue on the concrete product once its released. I’ve heard all kinds of things

  • Petroleum Jelly
  • Silicone Spray
  • Cooking Spray

If you have any proven solutions, I REALLY would love to here from you!


Wabi Sabi: The acceptance of imperfection

More often than not people strive for perfection, while myself I try to enjoy imperfection in its many forms. When working with concrete and its unpredictable nature and the sometimes damaged moulds this is more present than you’d think, from dented bottle moulds to contaminants etc.

Disasterkast products replicate their previous lifeform which is more often than not a piece of found recyclable packaging.

In traditional Japanese aesthetics, Wabi-sabi (侘寂) is a worldview centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete”.

According to Leonard Korenwabi-sabi can be defined as “the most conspicuous and characteristic feature of traditional Japanese beauty and it occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West. Whereas Andrew Juniper notes that “[i]f an object or expression can bring about, within us, a sense of serene melancholy and a spiritual longing, then that object could be said to be wabi-sabi. For Richard Powell, “[w]abi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect.” (source: wikipedia)

When moulding Disasterkast products, the mould can only be used once before cut off and re-recycled, making each piece one-of-a-kind!