More often than not people strive for perfection, while myself I try to enjoy imperfection in its many forms. When working with concrete and its unpredictable nature and the sometimes damaged moulds this is more present than you’d think, from dented bottle moulds to contaminants etc.
Disasterkast products replicate their previous lifeform which is more often than not a piece of found recyclable packaging.
In traditional Japanese aesthetics, Wabi-sabi (侘寂) is a worldview centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete”.
According to Leonard Koren, wabi-sabi can be defined as “the most conspicuous and characteristic feature of traditional Japanese beauty and it occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West. Whereas Andrew Juniper notes that “[i]f an object or expression can bring about, within us, a sense of serene melancholy and a spiritual longing, then that object could be said to be wabi-sabi. For Richard Powell, “[w]abi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect.” (source: wikipedia)
When moulding Disasterkast products, the mould can only be used once before cut off and re-recycled, making each piece one-of-a-kind!